"Then if anything has come of it here, it has come precisely of just four. That's literally, by the inventory, all there are!" said Mrs. Gereth. Our young lady's spirit was strangely divided; she had a tenderness for Owen which she deeply concealed, yet it left her occasion to marvel at the way a man was made who could care in any relation for a creature like Mona Brigstock when he had known in any relation a creature like Adela Gereth. With such a mother to give him the pitch, how could he take it so low? She wondered that she didn't despise him for this, but there was something that kept her from it. If there had been nothing else it would have sufficed that she really found herself from this moment the medium of communication with him.!

"Oh, 'anything' is nothing at all! That's too easily said." Mrs. Gereth, reclining more completely, closed her eyes with an air of disgust, an air indeed of inviting slumber. The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!

"By every means in her power." Fleda winced. "I've told you what I believe about that. She'll make scenes and conditions; she'll worry him. But she'll hold him fast; she'll never give him up." "She's not, she's not: there's nothing in it! Doesn't a fellow know?—except with you!" Owen ruefully added. With this he came out of the room, lowering his voice to secret supplication, pleading with her really to meet him on the ground of the negation of Mona. It was this betrayal of his need of support and sanction that made her retreat—harden herself in the effort to save what might remain of all she had given, given probably for nothing. The very vision of him as he thus morally clung to her was the vision of a weakness somewhere in the core of his bloom, a blessed manly weakness of which, if she had only the valid right, it would be all a sweetness to take care. She faintly sickened, however, with the sense that there was as yet no valid right poor Owen could give. "You can take it from my honor, you know," he whispered, "that she loathes me."